Some recent items in mainstream media discussing the quality of Lion Feuchtwanger’s works and their place in “the canon”:
Literaturpapst Marcel Reich-Ranicki rightly includes Höhenflugrekord, a classic of the Neue Sachlichkeit, in his influential Der Kanon–Erzählungen . In the Frankfurter Allgemeine Zeitung in 2010, however, he argued that Feuchtwanger’s writing was sometimes “gaudy”.
Bayerischer Rundfunk, on the occasion of its 2014 rerun of Dietrich Leube’s TV documentary Lion Feuchtwanger: Geachtet & geächtet, argued that it was with Erfolg that Lion Feuchtwanger staked his claim to immortality.
And Ian Wallace, Emeritus Professor of German at the University of Bath and former President of the International Feuchtwanger Society, writing for the Forgotten Gems section of the website New Books in German, admires Die Jüdin von Toledo for its portrayal of the mindset behind holy war (a matter of great concern today).