“[…] I moved into Marta Feuchtwanger’s old room and for three months was lucky enough to live in the paradise on the Pacific which Lion and Marta, two former residents of Munich, had created for themselves.”
Tanja Kinkel has acknowledged the influence of Lion Feuchtwanger on her novels, and her doctoral dissertation was entitled Naemi, Ester, Raquel und Ja’ala–Väter, Töchter, Machtmenschen und Judentum bei Lion Feuchtwanger (Bonn: Bouvier Verlag, 1998).
On Lion Feuchtwanger’s skills as a novelist, she has commented (in ‘What about Lion Feuchtwanger? A Reader’s Tale,’ in: Against the Eternal Yesterday, Essays Commemorating the Legacy of Lion Feuchtwanger, (Los Angeles: USC Libraries/Figueroa Press, 2009), 92-97): “What draws me in every time are Feuchtwanger’s characters, who are richly ambiguous and rarely cut-and-dried, and his great gifts for describing places he knew intimately, like his hometown Munich, and places he didn’t know at all and never saw in his life, like Israel. I’ve lived in Munich since the winter of 1988, and it is sometimes amusing, sometimes slightly disturbing to find so much of the Munich–of the Bavaria–Feuchtwanger described in Erfolg still there.”